Unwrapping - In Memory of Johanna Lindsey

Johanna Lindsey
March 10, 1952 - October 27, 2019

My first introduction to the world of romance novels was in my teens with The Flame and the Flower by Kathleen E. Woodiwiss but it was the talent and storytelling skill of Johanna Lindsey that kept me coming back for more. I read her debut novel, Captive Bride, in 1977 while in college and was hooked. It was her ability to take me to other times, allow me to step into the shoes of the heroine, and fall in love with the hero that kept me captivated and her, my go-to author, my favorite romance author for a very long time.

Sadly, the romance community has lost one of the brightest stars of our world. Johanna Lindsey passed away on October 27, 2019 after battling cancer. The family, devastated as all of us can only imagine, has only now released this information. My heart is broken for she was still so young and I have no doubt had many more stories to tell.

She was my inspiration to write romance. I am a huge reader of many genres—mysteries, thrillers, horror, science fiction, and historical fiction—but Ms. Lindsey was my favorite author of romance then and pretty much even now. Oh, I enjoy so many and if asked, I could never name one particular romance novel as my favorite even among Ms. Lindsey’s—although, I do have a particular penchant for rereading Gentle Rogue and Warrior’s Woman so many times my original copies are well worn. But she was still the author I searched many a bookstore and airport shop for something new by her to read while traveling or vacationing. While reading her books, I could probably ignore any situation or commotion around me.

I hope if you have never read anything by the talented and exceptional Johanna Lindsey that you will seek a copy of any one of her wonderful tales. She is a talent not to be missed, although we shall forever miss her. Her many books will forever grace shelves and thrill readers as her legacy.

Dear Ms. Lindsey, we shall miss you but always read you. 💔

Do you have a favorite romance by Johanna Lindsey?

Wishing everyone a Happy and Peaceful Holidays and only the best coming to you in the New Year.

NY Times announcement of her passing.

Unwrapping: Oh My, How Historical Romance Novels Have Changed!

Franz Eybl, Girl Reading, 1850 

When I first started reading Historical Romance Novels in the mid- 1970's, they were quite different from the novels in the genre today. Perhaps it was the times, perhaps it was the introduction of the sensual romance, or perhaps it was the feminist movement - whatever it was, things had changed. Sex had been introduced into the storyline in way it had never been written before, and Romance Novels would never be just those sweet romances ending with a chaste kiss ever again. The new Romance Novel was breaking ground and traveling a much different path that the Romances of today's genres.

Romance Novels in the '70's took heavy criticism but even television trended toward the same storylines. If you remember on the soap, GENERAL HOSPITAL, Luke Spencer raped Laura Weber and later they became the love story of the decade. Why were woman suddenly attracted to love stories that were built from an act of violence? Was it possible that along with all the freedoms that came with feminist liberation came a need for an escape into a fantasy that actually made the heroine a victim of a man's lust rather than a participant? With a newfound access to birth control, abortion and free wheeling sex, why then would women turn to a form of entertainment that placed the heroine back under the control of a man? Strangely enough, after the onslaught of AIDS with sex actually becoming something that could kill you, Romance Novels actually became tamer in comparison. Is there a correlation? If so, what does it say about out society now in regards to women and their sexual proclivities? I find the Romance Novels written today to be even more daring and the heroines independant and strong. Our heroines today make it clear they have a choice and in many of the books I read, the heroine is actually more sexually aggressive than the hero.  Nothing wrong with that now, is there? [wink, wink]

What do the young women of the 21st Century think of the first sexy bodice rippers? Well, after reading some of their reviews, I get the impression they don't like them very much. Now, that's a terrible shame.  I've read several reviews that called the Romance Novels of the '70's, disgusting and misogynistic. Not quite understanding the latter since most Romances are written by women - so are the writers really the ones who are misogynistic? One review even referred to one of the most read Romance Novels from this time as not being politically correct ... I believe she said that the author had sugar-coated the way slaves were treated.  HUH? Are we really looking for political correctness in our Romance Novels?

I fell in love with Historical Romances immediately upon reading my first, which was Kathleen E. Woodiwiss' THE FLAME AND THE FLOWER. I suppose, I could have read any of the many that inhabited the selling shelves but this one was my first and it was love at first read. I fell in love with Historical Romance for the settings, the eras, the history and the dangers that usually followed the heroine. These were stories written and published before most of the young women reading and reviewing books today were even born. I understand that the young woman reading romance today were raised in a society that expresses a greater respect for women in general and openly discusses its distaste for violence toward women. I agree that violence, in any form, against women, children, or men is completely uncivilized and should be abhorred for what it is - violence! So it should be, in the real world but not necessarily in our fiction! Fiction isn't real life, remember?!

By modern standards, I suppose the books of the 1970's were very violent toward women. Nearly every story had the heroine being raped by the man who would eventually fall in love with her and protect her with his own life if the need arose. Then again it's very possible that many older women who loved those books perhaps now find Romances featuring Vampires, Werewolves, Shape Shifters and Demons bordering on bestiality and anti-Christian. Not me, of course, I love them.

What has to be remembered is that Romance Novels reflect the social morality barometer in which they are written and Historical Romances are written, if written properly, to reflect the morality of the era in which the story is set. So, what may be socially acceptable in one era is not necessarily what may be socially acceptable to another era including our own.

For example, if the Romance is set in Regency England and the Hero is a member of ton society, he's probably less likely to forcibly seduce some young girl but then again, he might do just that if the opportunity presented itself or if the man was an evil S.O.B.  

Lydia and her Mr. Wickham -
he had no real intention of marrying her.

Even Jane Austen created characters whose intentions were less than honorable. Take Mr. Wickham of PRIDE AND PREJUDICE - he was most certainly not beyond taking advantage of a young girl's innocence to satisfy his lustful desires. Nor was Mr. Willoughby of SENSE AND SENSIBILITY, a man with good standing in society and a large income, in other words - a great catch. I suppose we forgave these indiscretions because neither of our favorite heroines, Elizabeth Bennet and Marianne Dashwood, fell completely under the spell of these dastardly dudes - of course, poor Lydia did fall prey to Wickham but I guess he was forgiven because he, himself, was seduced into marrying the silly girl by Darcy's offer to pay off his debts and buy him a commission. Had he refused, poor Lydia's fate would have been far worse than she knew. The point being that in a proper, genteel Regency Romance, you won't generally find our hero forceably seducing our heroine as it was often called during this era of 'bodice-rippers' but what about other historical eras? How genteel was a man from medievel times, the Scottish highlands, or the Russian Steppe many years before the influence of British Society?

As I've mentioned many times, I am a huge fan of Kathleen E. Woodiwiss - the Queen of Romance. Her first novel, THE FLAME AND THE FLOWER, published in 1972, was a turning point for the Romance genre. It was a Historical Romance built around research, a real story, and what really happens between a man and a woman - sex.  Unfortunately, by the standards of some of the young women who read Romance today, many consider it horrible and their reviews reflect their distaste.

When we first meet our heroine, Heather Simmons, she is fleeing one man's attempt to rape her only to find herself in the hands of a handsome sea captain, Brandon Birmingham, who is too deep in his cups (drunk). He mistakes her for one of the prostitutes that frequent the London docks and when she resists, he forces himself on her. I know, this perpetuates the idea that because a gal resists a little she's really not saying no, but yes, yes! In our society, this is a major wrong but in 1799??  The next morning, Brandon discovers the truth of what he's done. In an attempt to make amends, he offers to make her his mistress (at least he tried) but she promptly declines his offer. Later, when she discovers she's pregnant, he's forced to marry her. Consequently, neither are happy about it and so the real story begins. Forced seduction + forced marriage -- something not too uncommon in those days yet strangely enough, not too common today. What does that say about our society's morals?

Speaking of THOSE DAYS - many things were much more common in THOSE DAYS as compared to today especially when we look back into history. Life could be brutal, men could be brutal and it was accepted in THOSE DAYS because that's the way it was.

One of my favorite Historical Romance novels is WHITEFIRE by Fern Michaels, first published in 1978. I was already in love with anything to do with pre-revolutionary Russia after reading DR. ZHIVAGO and seeing the movie so I was immediately drawn to this one.

It is set in 16th Century Russia during the reign of Ivan the Terrible. Men from this time in history were brutal and violent. Banyon Amur is a Mongol Prince who was accustomed to having things his way and only his way. He takes what he wants without remorse so when he brutally rapes a young girl who he believes a peasant, he and everyone around him see nothing wrong.

It's the way it was back then, folks! It was NOT uncommon for women to be treated as possessions, objects of lust, used by men for their own satisfactions and then discarded. Had Banyon acted like a society gentleman and asked Katerina "Kat" Vaschenko, a young Cossack who was well aware of how women were looked down upon, out on a date or to a ball, the story would have been totally unbelievable. Life in the Ural Mountains in the 16th C. was hard and if you weren't tough, you died.  And it certainly wasn't politically correct!

I wonder if these storylines were a way of reminding us that a woman's first sexual experience is not always a fairy tale that sometimes it's violent in nature even when consentual. It's not always an experience that without love is something a woman wants to repeat but with a man who cares and is willing to be patient, the experience can be wonderful. Romance Novels do more than entertain us - sometimes they assist us in recognizing what's right and what's wrong. Perhaps a lesson about date rape before it became a recognized crime.

I love both of these books and highly recommend them not only because they are good reads but because if you've never read anything from this then newly emerging era of Romance, they are both fine examples of what was on the shelves back then. True, today's heroines are tough, strong-minded, and not so willing to take any crap off their men but then so are women of the 21st C.  Just as the past is much different from our modern world so goes the Romance genre, in particular, the Historical Romance sub-genre. Times were different in the 1970's, women were just beginning to really understand their freedom to live their lives as strong independant women with opinions, abilities and the freedom to say "no" to a man. I'm glad of these changes but just as we are proud of the generations that came before us and paved the way for our, in comparison, blessed lives so should we be proud of the generations of Romance Novels that led the way to the broad expanse of sub-genres that now grace our shelves, our reading tables and ereaders. So to Fern Michaels and the other wonderful authors who paved the way, and in memory of Ms. Woodiwiss, I say "thank you" and "hear, hear!" to the 70's Bodice Rippers!

I'm curious - when you're reading a Historical Romance Novel, do you want it to reflect the era realistically or just be a nice love story set once upon a time, a long time ago?

Happy Reading Everyone!
                                                              

Unwrapping: Romance Covers

Do we really judge a book by its cover? Do we worry that others judge the book we are reading by its cover? Do we really care? Some of us might but we shouldn't.

Let's take a little trip through time and look at how covers have changed through the years since Avon, an Imprint of HarperCollins Publishing began publishing modern romance as we know it today. Just as Romance novels have changed through time so have their covers.

Modern Romance came into its own with a beautiful novel by the Queen of Romance, Kathleen E. Woodiwiss, THE FLAME AND THE FLOWER, published in April of 1972. Yes, folks that's almost 40 years ago. Although Ms. Woodiwiss is no longer with us her extraordinary works still are, thank goodness.

I wish I could share the original cover with you but my copy is far too ravaged by time and handling to display well but I do have an original cover of SHANNA to show you.

          Soon after Ms. Woodiwiss began delighting us with her wonderful novels, another young writer came along to astound the readers with her talent, Johanna Lindsey.  In 1977, her first novel CAPTIVE BRIDE was published by Avon. Ms. Lindsey is no longer with Avon but we still love her work.  Would it surprise you to see the original cover is mild in comparison to today's covers just as Ms. Woodiwiss' cover was?

Mind you, these were probably considered racy in the 70's!

   As the years passed and critics began to call Romance Novels such things as 'bodice rippers' - something even my dear hubby likes to call them - in addition to denegrating name calling, they proclaimed them formulaic and predictable. None of this mattered to those in the know, the readers. The books may have been read in secret, only at home or on vacation where  no one knew the reader from Joe Schmo but they were being read -  by the millions!

By 1986, the covers were beginning to show the stress put on the industry and the covers became even tamer. Tamer! - you might be asking if they could they be any tamer.

An example of just how tame the covers became is Johanna Lindsey's

A HEART SO WILD.

      How about that for tame? Mind you, it's a beautiful cover but we don't really buy the book for the cover, now do we? Or do we?  That has yet to be decided. The prose inside are what matter and this cover was much more respectable. Right? Well, hold on to your socks. A few years later, a model came on the scene who really shook things up when he became the model most desired to grace the next generation of Romance Novels.  Fabio!

     Now that's a cover! Johanna Lindsey's GENTLE ROGUE, the first of the Malory Series, published in 1990 featured Fabio and Romance covers had come into their own. Or so we thought. Although, Fabio graced many a cover depicting men of all type, within one short year, those tanned pecs and that long hair had been relegated to hiding beneath a flap that showed a demure cover. It's not that we mind but what's the difference really? [rolling eyes]  An example is Johanna Lindsey's PRISONER OF MY DESIRE published in 1991. It has a beautiful cover but the real eye candy is beneath the cover.

                                                              Turn the cover and ....

      Now tell me, please - what was wrong with this being on the cover for all to see?  [sigh]

      Over the years, covers have changed and evolved according to societal expectations, I suppose.  One has to wonder if the amazing covers featuring handsome desirable men had become distasteful or was it because the reader was embarrassed to be seen reading something with an incredibly handsome, usually bare-chested, man on the cover? 
      Covers today vary from subdued to downright sexy. I'm curious -  if you're passing a stand containing a collection of Romance Novels and you see one copy of GENTLE ROGUE bearing the cover shown above with Fabio gracing it and one copy of the same wonderful book bearing the cover shown here:

Which would you purchase?

Next time, we'll take a look at what kind of covers grace our shelves in the 21st Century.

Talk about needing a wrapping ...  Happy Reading!

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